New Books in Critical Theory

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America’s heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities.

Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change.

Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln.
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What explains the rise of religious populism in contemporary Turkish
politics and society? How does industrialization help to explain change
and continuity in social and religious life in Muslim majority
countries? In his new book Industrial Islamism: How Authoritarian Movements Mobilize Workers (University of California Press, 2025), Utku Balaban examines Turkey’s rapid post-Cold War industrialization and argues that the answers to
these questions lie in a class analysis centered on the relationships
between employers and employees situated within larger contexts of
globalization and historical Islamization. Political and religious
transformations occurring in the 1980s and 1990s are not the result of a
cultural backlash to or rejection of “Westernization,” or a nostalgia
for an idealistic past. Rather, Balaban argues they are related to the
rise of a socio-economic-political class he calls the “faubourgeosie” that strategically employ Islamic populism as a method of protecting their interests against other primary class actors. These
changes are internal to the mechanics and logics of capitalism as
shifts in the traditional relations of production produced new alliances
and networks based on small-scale capital accumulation.
Balaban’s Turkish case study can be applied to other Muslim-majority
countries in which small-scale industrialists similarly dealt with
economic anxiety and aspirations through recourse to popular Islamist
rhetoric not as a specifically moral strategy, but as a political one.

Industrial Islamism recently received the best new book in the category of international political economy from the International Studies Association.

Dr. Utku Balaban is an Associate Professor of Sociology at Xavier University. He is the author of A Conveyor Belt of Flesh: Urban Space and the Proliferation of Industrial Labor Practices in Istanbul’s Garment Industry (2011) and Social Inclusion Practices in Turkey (2015).

Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States.
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Why have moral philosophers largely ignored colonialism? In Moral Philosophy and De-Colonialism: The Irrationality of Oppression (Bloomsbury Academic, 2026), Shyam Ranganathan tells the story of moral philosophy and colonialism and reveals the benefits of drawing from a colonized tradition to a create a rigorous logic-based ethics. This is a timely exploration of the the ways in which Western colonialism has structured moral theorizing to insulate itself from criticism. In his account of the domination of the European tradition and the suppression of questions of its colonialism, Ranganathan covers the evolution of metaethics, normative ethics, and applied ethics in ancient European, Chinese, and Indian traditions of philosophy. We see the presence of white supremacy in the writings of J.S. Mill, Marx and Engels, and the importance placed on autonomy and sovereignty in Hobbes and Kant. The European influence of interpretation on our peer review of historical philosophy is evident throughout. Using South Asia as an example Ranganathan examines how colonizers are able to erase moral philosophical history and redefine cultures as religions, judged in terms of their conformity to, or deviation from, the Western tradition, which is treated as secular. His acknowledgment of Yoga as a basic ethical theory introduces us to thinking that recognizes persons as a diverse group, traversing sex, gender, race, sexual orientation, and species. Through this analysis of colonized traditions and ethics, Ranganathan is able to de-colonize moral philosophy by looking outside the colonizing tradition. If we want sophisticated and inclusive ways of thinking about how to live we must turn towards indigenous thought.

Shyam Ranganathan is a member of the Department of Philosophy and York Center for Asian Research at York University, Toronto, Canada, and founder of the Yoga Philosophy Institute.

Dr. Raj Balkaran is a scholar of Indian mythology and seasoned online educator. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom where he delivers original courses applying Indian wisdom teachings to modern life.
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A central paradox of democracies is that they are always ruled by
elites. What can democracy mean in this context? Today, it is often said
that a populist revolt against elites is driving democratic politics
throughout the West. But in Elites and Democracy (Princeton
University Press, 2026), Hugo Drochon argues that democracy is more
accurately and usefully understood as a perpetual struggle among
competing elites—between rising elites and ruling elites. Real political
change comes from the interaction between social movements and elite
political institutions such as parties. But, although true democracy—the
rule of the people—may never be achieved, striving towards it can bring
about worthwhile democratic results.

At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto,
and Robert Michels put forward “elite” theories of democracy and gave us
terms such as the “ruling class” and “elites” itself. Drawing on their
work and tracing the history of democratic thought through figures such
as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew.

Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it.

Hugo Drochon is an Associate Professor in Political Theory at the
University of Nottingham. He is a historian of modern political thought,
with interests in Nietzsche's politics.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.
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From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally.
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