New Books in Women's History

Mary Freeman, associate professor of history at the University of Maine, joins Michael Stauch to discuss her new book Abolitionists and the Politics of Correspondence (U Pennsylvania Press, 2026), about how abolitionists harnessed the power of letter-writing to further their political aims. It highlights everyday Americans’ involvement in abolition, and shows in particular how women and Black Americans used letters to intervene in politics when other avenues were closed to them. Freeman focuses not only on what people wrote but also how they wrote about it: how they manipulated, exploited, and subverted cultural conventions to make political statements and claims.

Highlights include:

The inspiration behind the book’s striking title;

The influence of the “archival turn” on Freeman’s analysis of the materiality of letters;

A bold new reading of the lives of Angelina and Sarah Grimke, suggesting how their letter writing influenced their activism;

How the abolitionist movement grew alongside the rise of the post office;

The role of new forms of technology in shaping social movements, yesterday and today.

Guest: Mary Freeman is an associate professor of history at the University of Maine, with a focus on the political, social, and cultural history of slavery and abolition. Her writing has appeared in the Journal of the Early Republic and she is currently developing research projects on nineteenth-century Black activism in Maine and on the history of abolitionist archives.

Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025.
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Female artists have long employed collage to reflect the ways in
which identity is often constructed from conflicting, contrasting and
contradictory parts. Cut Out: A Feminist History of Photo Collage, Montage and Assemblage (Thames & Hudson and V&A Publishing, 2026) by Fiona Rogers explores the relationship between photography and feminist collage, foregrounding the use of femmage—a radical reclaiming of craft traditionally associated with women—as a resilient method within feminist and political art.

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to
contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. 

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In the well-trod history of the Roman Empire, a pivotal moment has long gone unnoticed: It was in ancient Rome that medical men first set their sights on childbirth, the traditional domain of female midwives.Taking us to the dawn of Western obstetrics, A Womb of One's Own: Lost Histories of Childbirth in Ancient Rome (U California Press, 2026) by Dr. Tara Mulder offers a feminist account of how, against a long tradition of midwifery, male doctors began claiming authority in reproductive matters, with an emphasis on theoretical rather than practical knowledge. Their intrusion paved the way for the later criminalization of midwives and the cloaking of childbirth in secrecy and shame.Yet communities of Roman women continued to help each other through the journey from preconception to postpartum, guided by their own experience and the expertise of midwives. Tara Mulder recovers stories of ancient women living and resisting as they sought autonomy over their bodies and their health. Recounting their experiences in vivid, intimate detail, she reveals how old our modern conflicts about birth truly are.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children.

Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler’s Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week).

This book talk originally took place on April 20, 2021.
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From the author of The First Lady of WWII comes You Can't Catch Us: Lady Bird Johnson’s Trailblazing 1964 Campaign Train and the Women Who Rode With Her (Sourcebooks, 2026), the story of Lady Bird Johnson's groundbreaking trip during the 1964 election, and the women who rode with her.

"It takes women to have guts."

Deemed “the most important campaign effort ever undertaken by the wife of an American president,” the Lady Bird Special was a whistle-stop tour of the South undertaken by Lady Bird Johnson, in a bid for her husband’s reelection in 1964. Never before had a president’s spouse taken to the campaign trail so ambitiously.

The 1,682-mile trek through the southern United States, from Washington DC to New Orleans, was a deliberate choice by Lady Bird—many in the southern states resented her husband’s championing of civil rights. But the first lady, proud of her southern heritage, wanted to appeal to her fellow southerners and bridge the divide. Despite the potential danger, she pressed forward, making speeches, shaking hands, and showing herself to be confident, capable, and impressive.

You Can't Catch Us is a story of an election campaign, but it is also a story of a women-led operation and an appeal for understanding and civility. Lady Bird Johnson's exciting journey was monumental in expanding the role of women in politics and progressing the fight for women’s rights—a fight we still continue to this day.

Hosted by Jane Scimeca, Professor of History at Brookdale Community College: website here @janescimeca.bsky.social 
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