Wake Up to Money

Will Bain has the latest on another twist in the takeover tale of Warner Bros Discovery as talks with Paramount Skydance reopen. The boss of the UK's largest commercial property company Landsec tells us he is more confident about shopping centres than any other part of his business. Plus Carling's iconic Black Label brand is set for a UK revival.

Will Bain checks in with a UK house builder to see if we are building quickly enough to meet the government target of 1.5 million homes to be built over the next decade. Also we will be hearing from a UK chocolate maker on how they will adapt as the price of cocoa drops due to oversupply. Elsewhere we will hear about the Lunar New Year economy as we welcome the year of the Fire Horse.

Leanna Byrne finds out about the latest government online safety powers designed to keep children safe from illegal content created by AI. We hear from a tech journalist on what the measures will mean in practice. Also, farmers are facing bad weather and falling milk prices. We hear from the farming community on the toll it's all taking on their businesses. Elsewhere, we bring you the latest on the civil service pension scheme and hear what Royal Mail staff told the BBC about the service they deliver.

Theo Leggett has the latest as AI doubts continue to rumble around markets. Our Friday panel digests a slightly soggy growth reading to end 2025 and a week of political turbulence. We also take a closer look at a US company's swoop for one of the City's oldest names and how supermarkets look to get Valentine's Day right.

Chancellor Rachel Reeves has outlined her intentions bring down barriers to closer integration with the EU's defence industry - with an eye on its huge spending plans. We speak to the UK industry's trade body to discover what's at stake.
And ahead of the publication of the UK's GDP figures for the end of last year, we speak to a businesswoman and a finance expert to hear their thoughts on what the economy needs to grow.
Also, musical Billy Elliot is going on tour, more than 20 years after it left the West End. We'll be finding out why shows like this are so important to keep the arts alive outside London.